Check the weight of your primary microphones first though. In terms of weight, the arm can hold up to 2.4 pounds, which should suit most producers. If I had to be honest, the mount can be a little tricky to lock into specific positions, though is not a huge issue. Having a shorter arm does mean you’ll save more desk space, but might also mean you’ll have to lean in if you have a ridiculously deep and large studio desk. Depending on your setup, this could be a good or a bad thing. In contrast to other boom arms, this model has slightly less reach at 32 inches vertical and horizontal. The arm itself is designed for use with Yeti and other broadcast microphones.Īll standard shock mounts are fully compatible with this mic boom arm, allowing you to transfer in and out as needed. The arm uses hinges that are tightened by hand, cutting off unwanted noises during recording. Definite bonus points for design on this one. The arm itself has an “all-tube” spring system and hidden cable holder that gives the arm a sleek design. The Blue Compass Premium mic boom arm has all the features you want for your recording experience. Next up is a great boom arm from Blue Compass that is purposefully built for studio desk recording. That gives you flexibility for your setup, no matter where you are.Įditor’s note: we recently reviewed the updated version of the PSA-1, the PSA-1+. Unlike other boom arms with only one table mounting clamp/mounting option, this model has two: the dual-axis swivel and the standard C-clamp mount. Because no one wants a recording with a squeaky mic stand audible in it, right? The arm body has two spring-loaded sections that are both quiet and flexible - making it a perfect choice for broadcast radio studios or voice-over studios. But the real star of the show is the dual-axis swivel mount, which allows you to freely position the arm in whatever position you so desire. The RODE PSA1 has a 33-inch reach for your convenience, offering ample range. #ROCKSMITH USB GUITAR ADAPTER YELLOW TRIANGLE FULL#The RODE PSA 1 delivers on all fronts, and as a result is our top pick.Ĭheck out our full review of the Rode PSA1 Boom Arm here. It would’ve been a shock to discover that RODE, a reputable microphone company, would produce a garbage microphone stand so its not surprise to see them in our list of best microphone boom arms.įortunately, this wasn’t the case. Rounding Up The Best Microphone Boom Arms: The List Also consider checking out our top 8 USB microphone picks for podcasters and online streamers.On the other end, a cradle holds your microphone and can be adjusted. They are typically hinged in the middle, allowing them to fold in half. Microphone suspension/boom arm stands can be attached to your recording desk or other equipment easily. Unlike a traditional stand, boom arms can be stored easily, transported and changed out for your needs. Sometimes called a ‘scissor arm stand’, a mic suspension boom arm is a foldable piece of equipment that can be easily unclipped, stored and transported. That’s where microphone suspension boom arms come in. They take up unnecessary space due to their large sprawling legs, and can be a real inconvenience to those of you studios in small apartments. They’re ubiquitous in recording studios everywhere.īut sometimes a typical stand doesn’t cut it. Most of us are probably familiar with how a traditional microphone stand works.
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